7 tips for writing Chinese characters

Anyone who is serious about learning Chinese should learn to write characters. This isn't necessarily because you will be required to write a lot by hand, but because it will teach you a lot about how characters work. This will help you recognise characters as well, which is truly essential once you get beyond everyday conversations.

There are many ways of writing characters, all with their pros and cons. Below this article will discuss some of them.

Seven ways of practising Chinese characters

Here we go:

Writing on paper – This is the most obvious way of writing and has been around for a while. The main advantage with this method is that if being able to write Chinese on paper is your goal, it makes sense to practise just that. Compare this with if you want to learn more about the structure and composition of characters when it doesn't really matter what your strokes look like. Of course, you need paper and pencil to do this, so it's a bit inconvenient. Unless you have a teacher to check, you also don't know if your writing is good or not. Still, it's hard to cheat with this method, if you don't know how to write something, it will be quite obvious, at least for yourself.

Writing with your finger – This is the natural extension of the above method to be used whenever you don't have paper and pencil around. For some people this becomes the main method, especially when combined with spaced repetition software. You skip the paper and pencil entirely and just write with your index finger on your palm, a flat surface or even in the air. This is obviously more practical because you always have your index finger with you. The drawback is that you don't see the result, which comes with two problems. First, you don't practise the actual strokes and your handwriting will probably be very ugly if you only practise this way. Second, it's easier to cheat by being too quick and just saying to yourself that you actually knew that character. If you made a minor mistake, you're less likely to find it out, too, even if it's an honest mistake.

Writing in your mind – This is the next step in the abstraction process and it works even if your nemesis captures you and cuts your hands off. Simply imagine writing the character on the canvas of your mind. If you're not very familiar with character components, you might have to do this stroke by stroke, but as you learn more about characters, it works best with just imagining the different components being put into place. 禾, 火 makes 秋, add 心 and you get 愁. Since all these components are common, imagining the writing of this character is pretty easy. The downside with this method is that you're not actually writing anything, so this helps you remember the composition of the character, but it doesn't help you actually write it. I'd say this is very good if your handwriting is already acceptable and your main goal is to expand your vocabulary. The method is very quick and it's probably the one I've used the most over the years.

Writing on screen without feedback – There are several programs for mobile phones and computers that allow you to write either directly on a touch screen or by using a stylus or writing tablet of some kind. Most of these programs don't offer you any feedback, so in a sense, it's just a very expensive kind of paper and pencil approach. However, this is not entirely true, because writing on the screen allows more direct comparisons to model characters and will thus improve the chances of spotting errors. A smart phone is also something most people carry around all the time, which isn't the case with paper and pencil, so I think these programs are quite good. The most common example of this is Pleco, which offers on-screen writing when reviewing characters. The disadvantages are mostly the same as for paper and pencil.

Writing on screen with feedback – This is an approach that has only been around for a few years and the only program I know that does this well is Skritter. I simply haven't seen any other program that can recognise your strokes one by one and offer feedback on stroke order, stroke placement and even stroke direction. The advantage here is obvious, it gives you feedback on your writing, which makes it both more fun and more effective as a learning method. The downsides are that it costs money. This is by far the best alternative to maintain writing ability, save for having a teacher looking over your shoulder all the time, correcting your writing, but that's bound to be prohibitively expensive and not very practical.

No writing, just looking – This isn't a method as such, but it's something many students, including myself, sometimes revert to when too tired. Instead of actively checking if we can write a character, we just look at the answer and try to answer the question: "Would I have been able to write this if asked to,?" The problem with this approach is that your answer is likely to be inaccurate. It's extremely hard to determine if you knew something after seeing the answer, so you're likely to overestimate your ability to write the character. Don't do this! This method has no advantages and it's only mentioned here so that I can point out that if you want to remember the character, simply looking at it isn't enough, you need to actively process how the character is structured and written. Use method #3 above instead.

Only reading and typing – Many native speakers mostly read and type Chinese rather than write it by hand. Still, we shouldn't compare ourselves with native speakers. They've had a lifetime to practise Chinese characters and even if they don't practise much writing actively, they can still write most characters. There will of course be exceptions, native speakers forget characters all the time, but that doesn't mean that they can't write Chinese by hand if asked to. Even though I haven't seen any research on this, my own experience tells me that as second language learners, simply reading and typing is not enough, you have to combine this with at least some writing practise.